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Early Morning Daymer

Oil on canvas

80 x 100cm

£1600


  • Quiet Waters

    Oil on canvas

    100 x 75cm

    Sold


  • Mountain Haze

    Oil on canvas

    100 x 140cm

    £2950


  • Polzeath Surfer

    Oil on canvas

    100 x 50cm

    Sold


  • Rockpools at Watergate

    Oil

    100 x 120 cm

    £2500

     


  • Borrowed Light

    Oil


  • To The Trees

    Oil

    100 x 100cm

    £1950


  • Still Water

    Oil on canvas

    100 x 50cm

    £1200


  • Picnic Spot

    Oil


  • Single Tree 1

    34 x 34 cm

    Oil

    £350


  • Woodland Tree

    Oil


  • Hazy Mountain

    Oil

    34 x 34cm

    £350


  • Light on the Water

    Oil

    110 x 140

    Sold


  • Quiet Waters

    Oil

    100 x 140cm

    Sold

     

     



  • April in Polzeath

    Oil

    110 x 140 cm

    £2950



  • Blue Waters

    Oil

    100 x 130 cm

    £2600



  • Forest Edge

    Oil

    120 x 160 cm

    £3250


  • Copse Study 1

    Oil

    34 x 34 cm

    £350



  • Light Through The Trees

    Oil

    20 x 25 cm

    Sold


  • Evening Copse

    Oil

    110 x 140 cm

    Sold

     

     



  • Light Through The Trees

    Oil

    50 x 50

    £600


  • Single Tree 2

    34 x 34 cm

    Oil

    £350

     

Katharine Le Hardy - current work

I endeavour to create a window on an imaginary coastal space.

Katharine lives and works in London but takes inspiration for her land and seascapes from the rugged Cornish coastline.

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Artists Statement

The Cornish coast is the starting point for my landscapes which are only loosely based on definite locations. Working from sketches and photographs, I endeavour to create a window on an imaginary coastal space. The absence of obvious landmarks and identifiable features enables the images to exist as timeless, dreamlike expanses where sea meets land, inviting the viewer into a restorative space and opportunity for reflection in calm solitude.

Even though the beach usually constitutes the largest area in my paintings, I consider them more as seascapes than landscapes, as the central aspect to all of my images is the action and nature of the sea: both as a symbol for the passage of time and agent of change, and also as an icon for tranquillity and emotional depth, all of which is resonant with the ebb and flow of everyday human life. In a way, my painting process mimics the sea in this respect - I like to use gestural marks and loose brushwork to engage the viewer and charge the composition with movement and dynamism, whilst still maintaining balance, building up the paint and alternating transparent and opaque layers, dripping, washing, splashing, allowing it to take its own fluid course and give the image a life of its own.

make an enquiry about any of Katharine's art work.

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