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A Moment's Notice

Oil on canvas

120 x 140cm

£2650


  • Perfect Skin

    Oil on canvas

    170 x 130cm

    £3650


  • Keep Telling Myself

    Oil on canvas

    100 x 100cm

    Sold


  • How to Spend it

    Oil on canvas

    160 x 140cm

    Sold


  • More and More

    Oil on canvas

    190 x 160cm

    £3650


  • Let them talk

    Oil on canvas

    170 x 130cm

    £3685


  • More than meets the eye

    Oil on canvas

    190 x 130cm

    £3850


  • Everything Falls into place

    Oil on canvas

    190 x 150cm

    £3950


  • All I know is

    Oil on canvas

    190 x 150cm

    Sold


  • Because

    Oil on canvas

    70 x 50cm

    £1050


  • An Introduction

    Oil on canvas

    140 x 140cm

    £3350


  • I forget myself

    Oil on canvas

    160 x 160cm

    £3850


  • Don't Change your plans

    Oil on canvas

    100 x 100cm

    £1895

     


  • The last thing on my mind

    Oil on canvas

    100 x 100

    £1895


  • Good intentions

    Oil on canvas

    80cm x 80cm

    £1750


  • Piece by Piece

    Oil on canvas

    90cm x 60cm

    £1550


  • Heard about your band

    Oil on canvas

    50cm x 70cm

    £1150

     


  • If you say run

    Oil on canvas

    40cm x 40cm

    £550


  • No other way

    Oil on canvas

    90cm x 120cm

    £1895

Paul Lemmon - current work

I want the viewer to feel immersed in my paintings.

His work is characterised by sharp, unorthodox angles and ruthless cropping which result in paintings that are laced with a seductive cinematic urgency.

Make an enquiry

Paul is a self-taught painter who studied graphic design and worked as a designer before committing to painting full-time. He works from his own photography acquired whilst soaking up the culture and colour of city life, and considers this to be an integral part of his practice. Once the images and compositions have been established, Paul works with the oil paint very rapidly in order to preserve and intensify the spontaneity inherent in the original image – seeking to heighten the energy and emotion of the captured moment through vigorous brushwork, vivid colour and strong contrast. His work is characterised by sharp, unorthodox angles and ruthless cropping which result in paintings that are laced with a seductive cinematic urgency.

Paul’s subject matter and approach are inspired by the work of photographer William Eggleston with his ‘snap-shot aesthetic’, and by nineteenth century French writer Charles Baudelaire and his descriptions of excursions through the Parisian bars and streets of his time. This approach leaves a distinctively voyeuristic impression on Paul’s work, reflecting contemporary obsessions with the hidden camera and fly-on-the-wall observation. Also, by omitting the specifics of environment and identity through the heavy crop and graphic composition, Paul aims to engage the viewer in an even more intimate but open-ended way: ‘… what interests me most,’ he asserts, ‘is conveying atmosphere and mood rather than individual people or locations. I want the viewer to feel immersed in my paintings, to feel a sense of physical presence and to be left to imagine their own characters and narratives in what they’re seeing.’

Make an enquiry about any of Paul's work.

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