
Archive
A Moment's Notice
Oil on canvas
120 x 140cm
£2650

Perfect Skin
Oil on canvas
170 x 130cm
£3650

Keep Telling Myself
Oil on canvas
100 x 100cm
Sold

How to Spend it
Oil on canvas
160 x 140cm
Sold

More and More
Oil on canvas
190 x 160cm
£3650

Let them talk
Oil on canvas
170 x 130cm
£3685

More than meets the eye
Oil on canvas
190 x 130cm
£3850

Everything Falls into place
Oil on canvas
190 x 150cm
£3950

All I know is
Oil on canvas
190 x 150cm
Sold

Because
Oil on canvas
70 x 50cm
£1050

An Introduction
Oil on canvas
140 x 140cm
£3350

I forget myself
Oil on canvas
160 x 160cm
£3850

Don't Change your plans
Oil on canvas
100 x 100cm
£1895
Paul Lemmon - current work
I want the viewer to feel immersed in my paintings.
His work is characterised by sharp, unorthodox angles and ruthless cropping which result in paintings that are laced with a seductive cinematic urgency.
Paul is a self-taught painter who studied graphic design and worked as a designer before committing to painting full-time. He works from his own photography acquired whilst soaking up the culture and colour of city life, and considers this to be an integral part of his practice. Once the images and compositions have been established, Paul works with the oil paint very rapidly in order to preserve and intensify the spontaneity inherent in the original image – seeking to heighten the energy and emotion of the captured moment through vigorous brushwork, vivid colour and strong contrast. His work is characterised by sharp, unorthodox angles and ruthless cropping which result in paintings that are laced with a seductive cinematic urgency.
Paul’s subject matter and approach are inspired by the work of photographer William Eggleston with his ‘snap-shot aesthetic’, and by nineteenth century French writer Charles Baudelaire and his descriptions of excursions through the Parisian bars and streets of his time. This approach leaves a distinctively voyeuristic impression on Paul’s work, reflecting contemporary obsessions with the hidden camera and fly-on-the-wall observation. Also, by omitting the specifics of environment and identity through the heavy crop and graphic composition, Paul aims to engage the viewer in an even more intimate but open-ended way: ‘… what interests me most,’ he asserts, ‘is conveying atmosphere and mood rather than individual people or locations. I want the viewer to feel immersed in my paintings, to feel a sense of physical presence and to be left to imagine their own characters and narratives in what they’re seeing.’
Make an enquiry about any of Paul's work.





